Ars Judaica Index, 1–11
Author/s |
Title |
Volume |
Year |
Pages |
Adic Vesna |
The Tragic Story of Leon Koen, the First Sephardi Painter from Belgrade: A Symbolist and Admirer of Nietzsche |
05 |
2009 |
67-84 |
Aldouby Hava |
Miniature Tombstones from the Cyprus Detention Camps. Special Item |
03 |
2007 |
91-100 |
Amishai-Maisels Ziva |
Moshe Barasch (1920–2004). In Memoriam |
01 |
2005 |
156-158 |
Amishai-Maisels Ziva |
Menasseh Ben Israel and the ‘Wandering Jew’ |
02 |
2006 |
59-82 |
Amishai-Maisels Ziva |
Kiev and Cracow: Modern Jewish Art Kultur-Lige. Artistic Avant-Garde of the 1910s and the 1920s; Jewish Artists in Kraków 1873–1939. Book Review |
05 |
2009 |
129-134 |
Amishai-Maisels Ziva |
Obsessions of a Diasporist. Cilly Kugelmann, Eckhart Gillen, and Hubertus Gasner, Obsessions: R.B. Kitaj 1932–2007. Book Review |
10 |
2014 |
111-114 |
Apter-Gabriel Ruth |
El Lissitzky’s Self-portrait (Constructor), 1924: Paradoxes and Possible Sources |
06 |
2010 |
101-114 |
Aron-Beller Katherine |
Would all the Quintessential Jews in Christian Art Please Stand Up? Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism. Book Review |
08 |
2012 |
151-153 |
Baigell Matthew |
Spiritualism and Mysticism in Recent Jewish American Art |
02 |
2006 |
135-150 |
Baigell Matthew |
Richard McBee’s Akedah Series: Reimagining and Reconfiguring Jewish Art |
05 |
2009 |
107-120 |
Baigell Matthew |
Social Concern and Tikkun Olam in Jewish American Art |
08 |
2012 |
55-80 |
Baigell Matthew |
Robert Kirshbaum’s Art: Abstract, Intellectual, Spiritual |
11 |
2015 |
79-90 |
Baskind Samantha |
Midrash and the Jewish American Experience in Jack Levine’s Planning Solomon’s Temple |
03 |
2007 |
73-90 |
Baumgarten Elisheva |
Women, Art, and Reality in Medieval Byzantium Mati Meyer, An Obscure Portrait: Imaging Women’s Reality in Byzantine Art. Book Review |
08 |
2012 |
143-147 |
Ben-Sasson Rivka |
Botanics and Iconography: Images of the Lulav and the Etrog |
08 |
2012 |
7-22 |
Bergman Eleonora |
The Great Synagogue on Tłomackie Street: Warsaw Inspirations |
10 |
2014 |
93-106 |
Bland Kalman P. |
A Jewish Theory of Jewish Visual Culture: Leon Modena’s Concepts of Images and Their Effect on Locative Memory |
05 |
2009 |
59-66 |
Bowlt John E. |
Mark Antokolsky Musya Glants, Where Is My Home? The Art and Life of the Russian Jewish Sculptor Mark Antokolsky,1843–1902. Book Review |
08 |
2012 |
157-158 |
Brutin Batya |
The Boy from the Warsaw Ghetto as Holocaust Icon in Art |
11 |
2015 |
55-78 |
Brzewska Iwona and Deluga Waldemar |
A Note on Hebrew Script in Christian Art between Wrocław and L’viv |
08 |
2012 |
23-30 |
Cahn Walter |
Jewish Art in Modern Times: A New Appraisal Samantha Baskind and Larry Silver, Jewish Art: A Modern History. Book Review |
09 |
2013 |
131-136 |
Charvit Yossef |
Jewish Identity and Modern Philanthropy. Dominique Jarassé, Osiris: Mécène Juif et nationaliste français. Book Review |
06 |
2010 |
147-149 |
Cohen Evelyn M. |
Gallico’s Identity Exposed: Revealing an Erased Colophon from a Renaissance Prayer Book |
01 |
2005 |
85-90 |
Cohen Evelyn M. |
A Surprising Model for Charlotte Rothschild’s Haggadah of 1842 |
10 |
2014 |
37-48 |
Cohen Richard I. and Rajner Mirjam |
The Return of the Wandering Jew(s) in Samuel Hirszenberg’s Art |
07 |
2011 |
33-56 |
Contessa Andreina |
An Uncommon Representation of the Temple Implements in a Fifteenth-century Hebrew Sephardi Bible |
05 |
2009 |
37-58 |
Deluga Waldemar |
Exhibition of Gela Seksztajn’s Drawings at the Jewish Historical Institute in Warsaw. Exhibition Review |
04 |
2008 |
144-146 |
Deluga Waldemar and Brzewska Iwona |
A Note on Hebrew Script in Christian Art between Wrocław and L’viv |
08 |
2012 |
23-30 |
Dukhan Igor |
El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry |
03 |
2007 |
53-72 |
Englard Yaffa |
The Creation of Eve in Art and the Myth of Androgynous Adam |
05 |
2009 |
23-36 |
Faust Avraham |
Decoration versus Simplicity: Pottery and Ethnic Negotiation in Early Israel |
09 |
2013 |
7-18 |
Friedman Mira |
The Meaning of the Zodiac in Synagogues in the Land of Israel during the Byzantine Period |
01 |
2005 |
51-62 |
Friedman Mira |
Oskar Kokoschka’s Saul and David |
04 |
2008 |
81-92 |
Fronda Rahel |
Attributing of Three Ashkenazi Bibles with Micrographic Images |
09 |
2013 |
45-56 |
Goldberg Igra Caroline |
The Restoration of Loss: Jechezkiel David Kirszenbaum’s Exploration of Personal Displacement |
10 |
2014 |
69-92 |
Goldberg-Mulkiewicz Olga |
Jerzy Malinowski, Painting and Sculpture of Polish Jews in the 19th and 20th Centuries (Polish). Book Review |
01 |
2005 |
153-155 |
Goldberg-Mulkiewicz Olga |
Life in the Shtetl in Paintings and Narrative. Mayer Kirshenblatt and Barbara Kirshenblatt-Gimblett, They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland before the Holocaust. Book Review |
06 |
2010 |
150-154 |
Goldman Batsheva Ida |
The Birthing Chair: The Chair of Rabbi Nah.man of Bratslav, a Phenomenological Analysis. Special Item |
06 |
2010 |
115-132 |
Gross William L. |
Alfred Moldovan 1921(?)–2013. In Memoriam. |
10 |
2014 |
119-120 |
Gruber Samuel D. |
Kazimierz Maciej Piechotka (1919–2010). In Memoriam |
07 |
2011 |
151-154 |
Halperin Dalia-Ruth |
A Jew among Us: The Catalan Micrography Mahzִor Artist and the Ferrer Bassa Atelier |
03 |
2007 |
19-30 |
Halperin Dalia-Ruth |
Maiestas Domini Converted |
06 |
2010 |
45-68 |
Harel Hoshen Sarah |
Zussia Efron (1911–2002). In Memoriam |
02 |
2006 |
179-181 |
Harvey Warren Zev |
Micrographic Midrash in Fourteenth-Century Barcelona. Dalia-Ruth Halperin, Illuminating in Micrography:The Catalan Micrography Maḥzor MS Heb. 806527 in the National Library of Israel. Book Review |
11 |
2015 |
93-96 |
Heyd Milly |
Arnold Schoenberg’s Self-portraits between “Iconism” and “Anti-Iconism”: The Jewish-Christian Struggle. Special Item |
01 |
2005 |
133-146 |
Heyd Milly |
Hans Richter: Universalism vis-a-vis Particularism |
07 |
2011 |
105-122 |
Higgs Strickland Debra |
The Jewishness of Christian Art. Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism, eds. Herbert L. Kessler and David Nirenberg. Book Review |
11 |
2015 |
97-100 |
Idel Moshe |
Holding an Orb in His Hand: The Angel ‘Anafi’el and a Late Antiquity Helios Mosaic |
09 |
2013 |
19-44 |
Idel Moshe |
Visualization of Colors, 1: David ben Yehudah he-Ḥasid’s Kabbalistic Diagram |
11 |
2015 |
31-54 |
Jacoby Ruth and Shaked Shaul |
An Early Torah Pointer from Afghanistan. Special Item |
01 |
2005 |
147-152 |
Jarrasse Dominique |
Orientalism, Colonialism, and Jewish Identity in the Synagogues of North Africa under French Domination |
07 |
2011 |
83-104 |
Kadish Sharman |
Sha‘ar ha-Shamayim: London’s Bevis Marks Synagogue and the Sephardi Architectural Heritage |
03 |
2007 |
31-52 |
Kampf Avram |
Art and the Early Zionist Movement: Controversy and Discord |
01 |
2005 |
109-116 |
Kantor-Kazovsky Lola |
Vladimir Yakovlev in the Grobman Collection in Tel Aviv: A Jewish Interpretation of the Avant-garde Myth of Artistic Creation |
|
2008 |
93-112 |
Kessler Herbert L. |
Bezalel Narkiss (1926–2008). In Memoriam |
05 |
2009 |
137-139 |
Kessler Katrin |
Jewish Identity in Contemporary Architecture, eds. Angeli Sachs and Edward van Voolen. Book Review |
02 |
2006 |
169-171 |
Klauzin´ska Kamila |
Colored Tombstones in the Jewish Cemetery in Zdun´ska Wola. Special Item |
05 |
2009 |
121-128 |
Klein Michele |
The Havdalah Candle-holder |
08 |
2012 |
31-54 |
Klein Rudolf |
Oriental-Style Synagogues in Austria-Hungary: Philosophy and Historical Significance |
02 |
2006 |
117-134 |
Klein Rudolf |
Fredric Bedoire, The Jewish Contribution to Modern Architecture, 1830–1930. Book Review |
03 |
2007 |
111-115 |
Kogman-Appel Katrin |
Picture Bibles and the Re-written Bible: The Place of Moses dal Castellazzo in Early Modern Book History |
02 |
2006 |
35-52 |
Kogman-Appel Katrin |
Kurt (1923–2007) and Ursula (1927–1999) Schubert. In Memoriam |
04 |
2008 |
147-149 |
Kogman-Appel Katrin |
Visual Strategies in Medieval Haggadot Marc M. Epstein, The Medieval Haggadah: Art, Narrative, and Religious Imagination. Book Review |
08 |
2012 |
148-150 |
Kogman-Appel Katrin |
“Elisha ben Abraham, Known as Cresques”: Scribe, Illuminator, and Mapmaker in Fourteenth-Century Mallorca |
10 |
2014 |
27-36 |
Kotlerman Ber (Boris) |
Discovering the Magic of Yiddishkayt. Futur antérieur: L’avant-garde et le livre yiddish (1914–1939), catalogue, ed. Nathalie Hazan-Brunet with Ada Ackerman. Book Review |
07 |
2011 |
137-141 |
Kotlyar Eugeny |
The Making of a National Art: Boris Schatz in Bulgaria |
04 |
2008 |
43-60 |
Kravtsov Sergey R. |
Reconstruction of the Temple by Charles Chipiez and Its Applications in Architecture |
04 |
2008 |
25-42 |
Kravtsov Sergey R. |
Jewish Identities in Synagogue Architecture of Galicia and Bukovina |
06 |
2010 |
81-100 |
Kravtsov Sergey R. and Levin Vladimir |
Leviathan Thanks the Lord: Perek Shirah on a Wall of the Great Synagogue in Radyvyliv. Special Item |
10 |
2014 |
107-110 |
Krinsky Carol Herselle |
Comprehensive View of Hungarian Synagogues. Rudolf Klein, Zsinagógák Magyarországon 1782–1918: Fejlo˝déstörténet, tipológia és epítészeti jelentöség / Synagogues in Hungary 1782–1918: Genealogy,Typology and Architectural Significance. Book Review |
09 |
2013 |
120-122 |
Laderman Shulamit |
The Unique Significance of the Hebrew Alphabet in the Works of Mordecai Ardon and Michael Sgan-Cohen |
05 |
2009 |
85-106 |
Lenowitz Harris |
Hebrew Script in the Works of Bartolome Bermejo |
04 |
2008 |
7-20 |
Levin Vladimir and Kravtsov Sergey R. |
Leviathan Thanks the Lord: Perek Shirah on a Wall of the Great Synagogue in Radyvyliv. Special Item |
10 |
2014 |
107-110 |
Levine Lee I. |
Figural Art in Ancient Judaism |
01 |
2005 |
9-26 |
Levinger Esther |
Images and Self-images: Jews in the World of Art Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation. Book Review |
08 |
2012 |
154-156 |
Lindwer Willy |
Rafi Grafman (1939–2001). |
01 |
2005 |
162-163 |
Litvak Olga |
Review Essay. Art Criticism for the Blind: New Approaches to the Life and Work of Marc Chagall. Book Review |
03 |
2007 |
101-110 |
Malkiel David |
Monuments of an Exotic Community. Aviva Ben-Ur and Rachel Frankel, eds., Remnant Stones: The Jewish Cemeteries and Synagogues of Suriname: Epitaphs; Remnant Stones: The Jewish Cemeteries and Synagogues of Suriname: Essays. Book Review |
09 |
2013 |
118-119 |
Meyer Mati |
Harlot or Penitent: The Figure of Rahab in Byzantine Illuminated Manuscripts |
02 |
2006 |
25-34 |
Meyer Mati |
The Personification of Zion in Byzantine Psalters with Marginal Illustrations: Between Eschatological Hopes and Realia |
05 |
2009 |
7-22 |
Miller Irit |
Hebraism and Hellenism in An Allegory – A Painting by Solomon Joseph Solomon |
02 |
2006 |
103-116 |
Mishory Alec |
A Purim Masquerade: Fowls and Foxes in Shmuel Ben David’s Illuminated Scroll of Esther (ca. 1923) |
09 |
2013 |
57-74 |
Nagy Márta |
Hommage à Lucien Hervé. Exibition Review. |
08 |
2012 |
137-142 |
Nashman Fraiman Susan |
Of Provenance and Providence: On the Reappearance of David Playing the Harp for Saul by Moritz Oppenheim. Special Item |
07 |
2011 |
123-136 |
Nashman-Fraiman Susan |
“Joy and Gladness, Happy Festivals for the House of Judah”: A Unique Parokhet from Alessandria della Paglia. Special Item |
02 |
2006 |
151-162 |
Offenberg Sara |
Illuminations of Kol Nidrei in Two Ashkenazi Mahzorim |
07 |
2011 |
7-16 |
Offenberg Sara |
Former Synagogues and Host-Miracle Shrines in Germany and Austria. Mitchell B. Merback, Pilgrimage and Pogrom:Violence, Memory, and Visual Culture at the Host-Miracle Shrines of Germany and Austria. Book Review |
11 |
2015 |
91-92 |
Piatkowska Renata |
A Sense of Togetherness: The Jewish Society for the Encouragement of the Fine Arts in Warsaw (1923–1939) |
07 |
2011 |
57-66 |
Poseq Avigdor W.G. |
Toward a Semiotic Approach to Jewish Art |
01 |
2005 |
27-50 |
Poseq Avigdor W.G. |
Igael Tumarkin’s Sixteen Tributes to Goya |
04 |
2008 |
113-136 |
Presiado Mor |
“These Threads Capture Shadows:” Sewing and Embroidery in Holocaust Art Works of Contemporary JewishWomen Artists |
08 |
2012 |
99-118 |
Rajner Mirjam |
Chagall’s Fiddler |
01 |
2005 |
117-132 |
Rajner Mirjam |
A New Look at Jewish Art Edward van Voolen, My Grandparents, My Parents and I: Jewish Art and Culture. Book Review |
03 |
2007 |
116-118 |
Rajner Mirjam |
Chagall’s Jew in Bright Red |
04 |
2008 |
61-80 |
Rajner Mirjam and Cohen Richard I. |
The Return of the Wandering Jew(s) in Samuel Hirszenberg’s Art |
07 |
2011 |
33-56 |
Revel-Neher Elisheva |
Seeing the Voice: Configuring the Non-Figurable in Early Medieval Jewish Art |
02 |
2006 |
7-24 |
Revel-Neher Elisheva |
Naphtali G. Deutsch (1931–2005). In Memoriam |
02 |
2006 |
177-178 |
Revel-Neher Elisheva |
Gabrielle Sed-Rajna (1927–2008). In Memoriam |
04 |
2008 |
150-152 |
Revel-Neher Elisheva |
An Inverted Path. Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture, ed. Mitchell B. Merback. Book Review |
06 |
2010 |
143-146 |
Rodov Ilia |
Dragons: A Symbol of Evil in European Synagogue Decoration? |
01 |
2005 |
63-84 |
Rodov Ilia |
Pro arte judaicae Kalman P. Bland, The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual. Book Review |
02 |
2006 |
163-164 |
Rodov Ilia |
Journey along the Cyclic Path. Shalom Sabar in collaboration with Ella Arazi, Avriel Bar-Levav, and Roni Weinstein, Ma‘agal Ha-.hayyim (The Life Cycle): Jewish Communities in the East in the Nineteenth and Twentieth Centuries. Book Review |
04 |
2008 |
137-140 |
Rodov Ilia |
Research of Jewish Art: Focusing on Lithuania. Aiste Niunkaite. Racˇiuniene. Lietuvos žyd˛u tradicinio meno ir simboliu˛ pasaulis: atvaizdai, vaizdiniai ir tekstai (The World of Lithuanian Jewish Traditional Art and Symbols: Images, Notions and Texts). Book Review |
09 |
2013 |
123-126 |
Rodov Ilia |
Research of Jewish Art in the Ukrainian Context. Eugeny Kotlyar, ed., Jewish Art and the Ukrainian Context: Horizons of Traditional Artistic Culture; Jewish Art and the Ukrainian Context: Within the Stream of European Modernity. Book Review |
09 |
2013 |
127-130 |
Roemer Nils |
Dreaming of Michelangelo. Asher D. Biemann, Dreaming of Michelangelo: Jewish Variations on a Modern Theme. Book Review |
11 |
2015 |
101-102 |
Rosman Moshe |
Resplendent BookThomas C. Hubka, Resplendent Synagogue: Architecture and Worship in an Eighteenth-Century Polish Community. Book Review |
02 |
2006 |
165-168 |
Sabar Shalom |
Joseph Gutmann (1923–2004). In Memoriam |
01 |
2005 |
159-161 |
Sabar Shalom |
A New Discovery: The Earliest Illustrated Esther Scroll by Shalom Italia. Special Item. |
08 |
2012 |
119-136 |
Schmetterling Astrid |
“I am Jussuf of Egypt”: Orientalism in Else Lasker-Schuler’s Drawings |
08 |
2012 |
81-98 |
Schwartz Joshua |
A Woman for All Seasons. Between Judaism and Christianity: Art Historical Essays in Honor of Elisheva (Elisabeth) Revel-Neher, eds. Katrin Kogman-Appel and Mati Meyer. Book Review |
06 |
2010 |
139-142 |
Shadmi Tamar |
From Functional Solution to Decorative Concept: Stages in the Development of Inscribing Liturgical Texts on Synagogue Walls |
06 |
2010 |
69-80 |
Shaked Shaul and Jacoby Ruth |
An Early Torah Pointer from Afghanistan. Special Item |
01 |
2005 |
147-152 |
Shalev-Eyni Sarit |
The Mah. zor as a Cosmological Calendar: The Zodiac Signs in Medieval Ashkenazi Context |
10 |
2014 |
7-26 |
Silver Larry |
Israel’s Art Viewed and Reviewed Yigal Zalmona, A Century of Israeli Art. Book Review |
10 |
2014 |
115-118 |
Singer Rachel |
Maurice Sendak’s Where the Wild Things Are: An Exploration of the Personal and the Collective |
07 |
2011 |
17-32 |
Sirkis Bank Nurit |
Opposites United: The Square-Round Silver Wedding Ring. Special Item |
09 |
2013 |
101-110 |
Soltes Ori Z. |
Felix Lembersky: The Artist Uncovered. Yelena Lembersky, ed., Felix Lembersky (1913–1970): Paintings and Drawings. Book Review |
07 |
2011 |
142-146 |
Sperber Daniel |
Moses’ Shoes at the Burning Bush |
02 |
2006 |
53-58 |
Sperber Daniel |
A Note on Moses’ Tar-Box |
04 |
2008 |
21-24 |
Sperber Daniel |
Were the Medieval Spanish Haggadot Ever Read at the Seder? Katrin Kogman-Appel, Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday. Book Review |
04 |
2008 |
141-143 |
Steinberg Ronit |
Sampler Embroidery Past and Present as an Expression of Merging Jewish Identity |
10 |
2014 |
49-68 |
Stern David |
“Jewish” Art and the Making of the Medieval Prayerbook |
06 |
2010 |
23-44 |
Stern David |
The New Jewish Book History. Sarit Shalev-Eyni, Jews among Christians: Hebrew Book Illumination from Lake Constance. Book Review |
09 |
2013 |
111-117 |
Sztyma-Knasciecka Tamara |
“Pole, Jew, Artist: Identity and Avant-Garde”. Exhibition Review |
06 |
2010 |
133-138 |
Tanikowski Artur |
Toward the Philosophy of Work: The Late Paintings of Leopold Gottlieb |
09 |
2013 |
75-100 |
Washton Long Rose-Carol |
Modernity as Anti-Nostalgia: The Photographic Books of Tim Gidal and Moshe Vorobeichic and the Eastern European Shtetl |
07 |
2011 |
67-82 |
Weber Annette |
“The Masorah is a Fence to the Torah” Monumental Letters and Micrography in Medieval Ashkenazi Bibles |
11 |
2015 |
7-30 |
Weiss Zeev |
Reconstructing and Deconstructing Jewish Art: Between Rome and Byzantium |
03 |
2007 |
7-18 |
Whitfield Stephen J. |
Samantha Baskind, Raphael Soyer and the Search for Modern Jewish Art. Book Review |
02 |
2006 |
172-173 |
Yaniv Bracha |
Praising the Lord: Discovering a Song of Ascents on Carved Torah Arks in Eastern Europe |
02 |
2006 |
83-102 |
Yuval-Hacham Noa |
“You Shall Not Make for Yourself Any Graven Image…”: On Jewish Iconoclasm in Late Antiquity |
06 |
2010 |
7-22 |
Zirlin Yael |
Discovering the Floersheim Haggadah |
01 |
2005 |
91-108 |
- Last modified: 31/05/2015